Mads Emil Nielsen: Framework (1)
Framework is a series of graphic scores and recordings by Copenhagen-based musician Mads Emil Nielsen. Framework (1) consists of 14 hand-drawn graphic scores with simple instructions and a recording for each score.
Instructions: These 14 graphic scores may be played by any configuration of instruments and players - the recordings may be of any duration. Some of the scores are linear and may be read from left to right; others are meant as a conceptual inspiration for composition and performance. The balance between these two approaches is to be decided by the interpreter. A circle should be seen as a space, room or atmosphere. A line illustrates direction / time, and possibly a sustained tone. Smaller dots or points may be read as dust, drops, texture or granulation. An incomplete circle or square marked with an arrow signifies a loop / repetition, which consists of certain elements, if notated.
"The internal logic of this is quite specific - in places it reminds me of Gustavo Becerra-Schmidt's sparse Synthi studies, yet considerably more fleshed-out and multi-tracked - Nielsen clearly knows his way around his chosen instrument & the tightly controlled, flitting micro-events that make up each piece's "Orchestra" are extremely well chosen. Nielsen's thought process appears to be at a unique nexus of Cardew-styled pattern-notation experiments & "Live" - or more accurately, "Performed" Electronic Music & this set is definitely one-of-a-kind - plus I haven't seen a hand / home-made edition this thorough since Martijn Hohmann sent over that box of Universaal Kunst editions back in 2010."
- K. F. Whitman / Mimaroglu Music
Instructions: These 14 graphic scores may be played by any configuration of instruments and players - the recordings may be of any duration. Some of the scores are linear and may be read from left to right; others are meant as a conceptual inspiration for composition and performance. The balance between these two approaches is to be decided by the interpreter. A circle should be seen as a space, room or atmosphere. A line illustrates direction / time, and possibly a sustained tone. Smaller dots or points may be read as dust, drops, texture or granulation. An incomplete circle or square marked with an arrow signifies a loop / repetition, which consists of certain elements, if notated.
"The internal logic of this is quite specific - in places it reminds me of Gustavo Becerra-Schmidt's sparse Synthi studies, yet considerably more fleshed-out and multi-tracked - Nielsen clearly knows his way around his chosen instrument & the tightly controlled, flitting micro-events that make up each piece's "Orchestra" are extremely well chosen. Nielsen's thought process appears to be at a unique nexus of Cardew-styled pattern-notation experiments & "Live" - or more accurately, "Performed" Electronic Music & this set is definitely one-of-a-kind - plus I haven't seen a hand / home-made edition this thorough since Martijn Hohmann sent over that box of Universaal Kunst editions back in 2010."
- K. F. Whitman / Mimaroglu Music